Ying jing xiang11/24/2023 ![]() ![]() Xiang Jing's present achievements in sculpture give ample proof of her singular strength within a certain thematic range. If she ever resumes this theme sometime in the future, it would mean that broader understanding and experience will have shown her new possibilities of self-overcoming. A better reason might be that her iconic pieces had already been produced, and the artist's desire for expression had been gratified. The scaffolding has yet to be removed, but a mood of festive observance is in the air.įor an artist to conclude a stage in her creative work usually means that her passion and energy toward the theme has found release, and she realizes that to continue would lead to nothing but self-replication of a certain few pieces. Having reached a certain maturity, Xiang Jing feels it is time to move onto something new." - Karen Smith Īfter going through numerous births and miscarriages, Xiang Jing intends to conclude the stage of her work that concerns the "female body." To engage in critiquing her work is like travelling to a nation of women that is about to declare independence. Where, to date, Xiang Jing's art has focused on the female form, the woman's body has evolved as a conduit for her observations on the state of women in contemporary China: observations that, in early 2008, she decided to draw together in one exhibition, and to act as a denouement for this phase of her career. Life saw fit to place this personality in a delicate physical frame, and set behind a pair of large round eyes, the innocence of which belies this woman's talent for penetrating insight. Her personality is a blend of bohemian free spirit and down-to-earth common sense, underscored by a feisty mental attitude towards life and art. ![]() "Xiang Jing is an unusually independently-minded young Chinese woman. Xiang Jing x Huang Zhuan About Xiang Jing Moreover, I indeed want to transcend it when I jump over that obstacle, I will feel quite relieved. In this new exhibition I get ready to produce a group of purer works of female bodies. I strongly wish my first-person narration approach could get more established. When I was creating that piece, my life was very isolated indeed, and that instinct just burst out suddenly. Your Body actually started my first-person narration approach. ![]() "Your Body" came really out of my instinct and nature I accumulated knowledge and experience to that extent and produced such a work with so much effort, but I have always wanted to transcend it.". When you voice it out, the you've also jumped over the obstacle. It's often the case – even in our daily life – the sort of expression you look for can't be voice out, but if we gather strength and voice it out, it's a progress. I wanted to transcend something in Your Body I succeeded or not, different people might have different ideas. I like to say that my mode of expression is "in the first person." - Xiang Jing x Zhu Zhu Given this approach to creating female figures, I do not feel they are a hackneyed subject. I am no longer those women in art history who were always being looked at. This is the foundation on which I create these pieces. So I use a woman's body to state who I am, to speak of how a woman thinks and looks at things. In this world I live in, a naked figure commands more attention, after all, than one wearing clothes. I use the female body first of all to remind people that I am a woman. Given this undeniable precondition, I will definitely speak from my feminine identity. This is not simply a question of gender politics. What, after all, is my instinctive fundamental stance? Without any hesitation, I know my own stance, just as I look at this world with a woman's eyes, as a matter of my intrinsic nature. Before making this batch of sculptures, I reflected on why I have always avoided a feminist stance, though in truth I confront gender roles. "Each female artist possesses sensitivity, particularly with regard to gender or issues. She uses some props including cigarettes. Xiang Jing hardly ever uses synthetic materials in her works. She captures the current trends, some popular activities that contemporary women indulge in (clubbing, shopping, etc.). She shows the emotions and expresses the mindset of women which causes her work to shift from personal to political. Xiang Jing is considered highly satirical and there are questions that are raised surrounding the plight of the post-feminist movement of women. ![]()
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